Olaf Loves Olive

Olaf's Men's Vintage and Housewares
453 Court St
Brooklyn, NY 11231

Olive's Very Vintage
434 Court Street
Brooklyn, NY 11231
We’re so excited the most recent issue of Martha Stewart Living did a bit on our Rusty Mill line. We love Rusty Mill’s unique take on denim— their blending of the traditional with the modern, and the overall fit of the pant. The denim is sanforized, which is a method of stretching and manipulating the cloth prior to any washing—this minimizes the shrinking during future washes. So, in simple terms, as opposed to buying typical non-sanforized jeans that will shrink up to 10%, our Rusty Mill will only shrink up to 5%. It also just makes the denim feel different, and look richer. The jeans are also selvaged, which means that they were made on a shuttle loom.
 Since the amount of fabric produced from a shuttle loom is narrower than a projectile loom, the cotton consumption and labor time is much greater. In addition, in jeans that are selvaged, you see the actual edge of the fabric where the weaving ends and is finished up by the loom—instead of denim on a projectile loom, where the fabric has been sliced at the ends. 
All in all it’s a magnificently old school way of producing denim, and getting progressively rarer. The Rusty Mill line is made in Naples, Italy, and are exclusively sold at our store. Like, that means only at Olafs. 

While the article (check it out here) was done on the denim picnic blanket above, you should really check out their jeans. Come in and try some on! 

We’re so excited the most recent issue of Martha Stewart Living did a bit on our Rusty Mill line. We love Rusty Mill’s unique take on denim— their blending of the traditional with the modern, and the overall fit of the pant. The denim is sanforized, which is a method of stretching and manipulating the cloth prior to any washing—this minimizes the shrinking during future washes. So, in simple terms, as opposed to buying typical non-sanforized jeans that will shrink up to 10%, our Rusty Mill will only shrink up to 5%. It also just makes the denim feel different, and look richer. The jeans are also selvaged, which means that they were made on a shuttle loom.

 Since the amount of fabric produced from a shuttle loom is narrower than a projectile loom, the cotton consumption and labor time is much greater. In addition, in jeans that are selvaged, you see the actual edge of the fabric where the weaving ends and is finished up by the loom—instead of denim on a projectile loom, where the fabric has been sliced at the ends. 

All in all it’s a magnificently old school way of producing denim, and getting progressively rarer. The Rusty Mill line is made in Naples, Italy, and are exclusively sold at our store. Like, that means only at Olafs. 

While the article (check it out here) was done on the denim picnic blanket above, you should really check out their jeans. Come in and try some on! 

Shaken, Not Stirred

Memorial Day brought New York City some crazy heat!  While we aren’t complaining, it is apparent that summer is on it’s way (or already here)!  

All this warm weather has us thinking about TaStY cOcKtAiLs - preferably while sitting on a rooftop somewhere!  

Olaf’s has many SPECTACULAR glasses for you to house these said cocktails.  Your drinks want to be as fashionable as you, after all..

Here is one delicious libation that would go splendidly with your new glasses…

Blue Hawaiian

*Image: http://www.hiltontopchef.com/recipe/blue-hawaii-cocktail/

INGREDIENTS

  • 1 oz blue curaçao

  • 1 oz light rum

  • 1 oz cream of coconut


  • 2 oz pineapple juice


  • 1 cherry


  • 1 slice of pineapple


  • 1 cup of ice



INSTRUCTIONS:


Put all ingredients into blender. Blend. Pour into highball glass. Add a cherry and pineapple to garnish. Enjoy!

I’m at olafs and we just sold this Levi’s denim jacket that’s been here for a while. It was like a friend to me..It was just a little too big.
It has a nice home now but I’m a litttle sad..So let’s talk about the history of this iconic piece off fashion. 
While Levi Strauss & Co. was established in the mid 1800’s,  it was not until 1905 that the first Levi Blouse (Jacket) was recorded. It was known as the 506 (the term Number One was used after 1917). The word Blouse was used by Levi Strauss & Co. until around 1938, when the word “jacket” was used in it’s western wear catalog.

The 506XX Blouse had a single breast pocket on the left side of the front of the jacket and featured rivets at the corners of the pocket. These disappeared in later models. As with the early Levi Jeans, a martingale or cincher was used on the lower back. Rivets were also used to reinforce the cuff vents. There were 6 versions in this particular Levi Jacket model dated 1905, 1928, 1936, 1941, 1944 and 1947. Details varied as different versions emerged such as the departure of donut style buttons in early models to logo style buttons in later models. In addition the early versions had no front pocket flap and with later models this feature was added. On the 1936 version, the Red Tab started to appear. Moreover like the 501 during World War II, special and unnecessary detailing was dispensed with in these versions.
In the late 1940’s, Levi created a light weight western wear line for both men and ladies. The womens jackets were made with stone shield snap fasteners. In addition, in the 1950’s Levi introduced the “Sawtooth” western shirt. The name comes from the jagged appearance of the stitching on the yokes and pockets.
In 1953, Levi Strauss started to produce the 507XX Jacket using 9 oz. denim. While styled similarly to the 506XX model, it featured a second breast pocket and bar tacks instead of rivets on the breast pockets. Called the Second Edition Jacket or Number Two, it was actually the third model since the 1936 506XX was never given a lot number. In addition, the back martingale was replaced by side waist straps. Leather labels were used for the jackets, but were replaced in the 50’s by press card labels. 

In 1962 Levi Strauss introduced the 557XX, also known as the Truckers Jacket. It was the first jacket to feature the now famous pointed pocket flaps. Thread used in these jackets was yellow in color compared to the orange thread used in model numbers featured in the late 60’s. 
With the introduction of the Trucker Jacket 557XX by Levi in the early 60’s, the familiar design of this jacket featured prominently in the design of Levi Jackets thereafter. In the late 60’s, the style of this jacket was lengthened and side pockets were added. Evolving from the 557 series to the 70505, 71205 and 70518 this design was carried forward featuring both Big “E” and small “e” on the red tab. However the popular “indigo finish look” remained throughout the 60’s.
Of all the denim manufacturers of the period, Levi Strauss made the least amount of colored vintage during this generation. The White colored Levi’s were first introduced in 1962. Pique or “Corduroy” finishing materials were introduced as the 941 series model. The Satin White finish jackets were featured as the 940 series model and the twill finish were introduced as the 840 series model. All of these series carried the same styling as the 557 being produced at that time.

…Amazing. 

I’m at olafs and we just sold this Levi’s denim jacket that’s been here for a while. It was like a friend to me..It was just a little too big.

It has a nice home now but I’m a litttle sad..So let’s talk about the history of this iconic piece off fashion. 

While Levi Strauss & Co. was established in the mid 1800’s,  it was not until 1905 that the first Levi Blouse (Jacket) was recorded. It was known as the 506 (the term Number One was used after 1917). The word Blouse was used by Levi Strauss & Co. until around 1938, when the word “jacket” was used in it’s western wear catalog.

The 506XX Blouse had a single breast pocket on the left side of the front of the jacket and featured rivets at the corners of the pocket. These disappeared in later models. As with the early Levi Jeans, a martingale or cincher was used on the lower back. Rivets were also used to reinforce the cuff vents. There were 6 versions in this particular Levi Jacket model dated 1905, 1928, 1936, 1941, 1944 and 1947. Details varied as different versions emerged such as the departure of donut style buttons in early models to logo style buttons in later models. In addition the early versions had no front pocket flap and with later models this feature was added. On the 1936 version, the Red Tab started to appear. Moreover like the 501 during World War II, special and unnecessary detailing was dispensed with in these versions.

In the late 1940’s, Levi created a light weight western wear line for both men and ladies. The womens jackets were made with stone shield snap fasteners. In addition, in the 1950’s Levi introduced the “Sawtooth” western shirt. The name comes from the jagged appearance of the stitching on the yokes and pockets.

In 1953, Levi Strauss started to produce the 507XX Jacket using 9 oz. denim. While styled similarly to the 506XX model, it featured a second breast pocket and bar tacks instead of rivets on the breast pockets. Called the Second Edition Jacket or Number Two, it was actually the third model since the 1936 506XX was never given a lot number. In addition, the back martingale was replaced by side waist straps. Leather labels were used for the jackets, but were replaced in the 50’s by press card labels. 

In 1962 Levi Strauss introduced the 557XX, also known as the Truckers Jacket. It was the first jacket to feature the now famous pointed pocket flaps. Thread used in these jackets was yellow in color compared to the orange thread used in model numbers featured in the late 60’s. 

With the introduction of the Trucker Jacket 557XX by Levi in the early 60’s, the familiar design of this jacket featured prominently in the design of Levi Jackets thereafter. In the late 60’s, the style of this jacket was lengthened and side pockets were added. Evolving from the 557 series to the 70505, 71205 and 70518 this design was carried forward featuring both Big “E” and small “e” on the red tab. However the popular “indigo finish look” remained throughout the 60’s.

Of all the denim manufacturers of the period, Levi Strauss made the least amount of colored vintage during this generation. The White colored Levi’s were first introduced in 1962. Pique or “Corduroy” finishing materials were introduced as the 941 series model. The Satin White finish jackets were featured as the 940 series model and the twill finish were introduced as the 840 series model. All of these series carried the same styling as the 557 being produced at that time.

…Amazing. 

A Very Vintage Wedding

Today at Olive’s we’re thinking about weddings—‘tis the season, after all. We thought we’d show you some dresses and outfits we have in store for the blushing bride-to-be.

For the traditional bride: A crystal-beaded, floor-length, empire waist gown in silk and satin. (Oh! This one has pockets, too. AMAZING.)


For the vintage romantic: slip into a slinky 1940s nightgown for a beautiful, romantic, simply stunning look



For the City Hall wedding: A short, lace shift dress gets the job done. It’s simple but not too casual; it’s not fussy so you can definitely wear it again.



For the garden party wedding: Another short ensemble, this two-piece getup is perfect for a daytime, outdoors wedding. The full skirt is so current, too—definitely to be worn again!

And remember, no matter what dress you pick, you can still accessorize! We love this dusty rose, bejeweled belt for a nice waist-cinching effect:

Peter Pan Collars - Yes, Please!

The Peter Pan collar was made fashionable in Paris in the early 1900s and gets it’s name from Maude Adams, the actress who played Peter Pan on stage in 1905.  It became an immediate fashion sensation in the United States and was very popularly seen on women’s clothing throughout the 1920s-1940s. 

Thanks to designers like Marc Jacobs for Louis Vuitton and Prada, the Peter Pan collar is back in effect.  

Marc Jacob’s S/S 12 Louis Vuitton collection

Photo credit: http://blog.stylesight.com/runway/louis-vuitton-10

All of the starlets (or their stylists) are taking their twist on how to wear the collars in a new and fresh way…

Photo credit: http://frontrowmonthly.com/?p=6644

Olive’s can help you do the same!  

You can either go with an original - all ready for you to wear right out of the store:

~Victorian Blouse - Flawless Stunner - @ Olive’s Very Vintage 

Or…you can get adventurous and go for a DIY collar.  Olive’s has many in stock, but here are two of our favorites:

We decided to pair them with…

1) A sheer polka dot blouse with cap sleeves.  To tame down the cuteness of the Peter Pan collar wear it with a sheer fabric with your bra peeking out!

2) A Malcolm Starr cream, mod dress with pockets.  It’s a fun alternative to a necklace and totally changes the look of the dress.  Pair it with a great pair of high stilettos or platform shoes to modernize it. 

Most importantly - make it your own and rock it just like those Louis Vuitton models.  The street is your runway! 

MEGA Memorial Day Sale at Olive’s and Olaf’s this weekend, May 25-27th!!!  
35% off at BOTH stores in celebrationof SUMMER being right around the corner!
Would love to see all of your shiny-happy faces, so please stop in and see what we have for you!  

MEGA Memorial Day Sale at Olive’s and Olaf’s this weekend, May 25-27th!!!  

35% off at BOTH stores in celebrationof SUMMER being right around the corner!

Would love to see all of your shiny-happy faces, so please stop in and see what we have for you!  

Okay folks, we have to talk about Hawaiian shirts. These beauties have been the butt of many a joke for years, but they’ve got an amazing history. The first Hawaiian shirt was designed in Oahu, Hawaii by Alfred Shaheen in the 1950s. He began printing the now-recognizable fabric on machinery that he designed and built himself, under the name Surf ‘n Sand Hand Prints. Each piece of clothing was the result of the work of artists, printers, screeners, finishers, and  seamstresses. The people who worked on his line were known as “Alfred Shaheen’s City of Craftsmen”.

In printing these distinctive textiles, Alfred Shaheen sought “to celebrate our ethnic diversity and remain true to authentic cultural art forms.” The style exploded throughout the 1950s and ’60s, and gained many fans when Elvis began sporting Shaheen’s prints in movies, on album covers, and during performances.

We have a few Shaheen originals at Olaf’s (and if you want your gal to match, head over to Olive’s for some Alfred Shaheen original dresses. Swanky!), and when you see them, you’ll fall in love. The quality of the handmade garment is impeccable, and his sewing, printing, and production methods influenced the garment industry at large.


(For more info, visit alfredshaheen.com)

This lovely customer just came in and told us about Victoria Fleming, who has both a great story and made amazing ceramic hand painted cufflinks for the better part of the 1900s. Above are her hand painted poodle cufflinks. 
Below, her stock market cufflinks. We love cufflinks here at Olaf’s so this just tickles us.

This lovely customer just came in and told us about Victoria Fleming, who has both a great story and made amazing ceramic hand painted cufflinks for the better part of the 1900s. Above are her hand painted poodle cufflinks. 

Below, her stock market cufflinks. We love cufflinks here at Olaf’s so this just tickles us.

These are some totally killer patent leather, mens dress shoes. Complete with a satin bow, and definitely one of my favorite pieces in the whole store. 
Which led me to thinking…what’s Peal & Co.? And why aren’t all men wearing these? Why do men wear New Balance sneakers when these little puppies could be on their feet?  
Peal & Co. made shoes for 174 years, between 1791 and 1965. The founder of the company was Samuel Peal, a shoemaker from Derbyshire who established himself in London in 1818. He actually invented waterproofing, and owns the patent for it. (Fun little fact right there) Anyway, shoemaking continued in the family and was passed down for SIX generations.  
Besides their prestigous West side address, Peal & Co. had travelling salesmen, who engineered a then-breakthru practice of drawing the feet of the shoe purchasers. You can still see any of the 1,000+ “Feet Book” of the Peal & Co. salesmen in the National Archives in London! Among those in the Feet Book, the proud wearers of Peal & Co;  are some luminaries such as…
Humphrey Bogart (Volume 618, page 33)  

Henry Fonda (Volume 620, page 108) 

Steve McQueen (Volume 592, page 26) 

Sadly, Peal & Co.’s downfall was due to their meticulous craftsmanship and unwillingness to outsource. Each shoe took up to six weeks to make, which led to a superior product but a time lag that eventually led to their eventual demise. Below is the original letter that Peel sent to Brooks Brothers, allowing them the use of their name. 

One last fact to lighten the mood: In 1953, Peal bought their Oxford Street neighbours, Bartley and Son, and that’s where they got their Boot and Fox emblem from.

xx bw

These are some totally killer patent leather, mens dress shoes. Complete with a satin bow, and definitely one of my favorite pieces in the whole store. 

Which led me to thinking…what’s Peal & Co.? And why aren’t all men wearing these? Why do men wear New Balance sneakers when these little puppies could be on their feet?  

Peal & Co. made shoes for 174 years, between 1791 and 1965. The founder of the company was Samuel Peal, a shoemaker from Derbyshire who established himself in London in 1818. He actually invented waterproofing, and owns the patent for it. (Fun little fact right there) Anyway, shoemaking continued in the family and was passed down for SIX generations.  

Besides their prestigous West side address, Peal & Co. had travelling salesmen, who engineered a then-breakthru practice of drawing the feet of the shoe purchasers. You can still see any of the 1,000+ “Feet Book” of the Peal & Co. salesmen in the National Archives in London! Among those in the Feet Book, the proud wearers of Peal & Co;  are some luminaries such as…

Humphrey Bogart (Volume 618, page 33)  

Henry Fonda (Volume 620, page 108) 

Steve McQueen (Volume 592, page 26) 

Sadly, Peal & Co.’s downfall was due to their meticulous craftsmanship and unwillingness to outsource. Each shoe took up to six weeks to make, which led to a superior product but a time lag that eventually led to their eventual demise. Below is the original letter that Peel sent to Brooks Brothers, allowing them the use of their name. 

pealbook

One last fact to lighten the mood: In 1953, Peal bought their Oxford Street neighbours, Bartley and Son, and that’s where they got their Boot and Fox emblem from.

xx bw

Check out these dapper gents on the Brooklyn Bridge. Click the picture for more retro NYC pics.

Check out these dapper gents on the Brooklyn Bridge. Click the picture for more retro NYC pics.